One hundred and one years ago, in the days when musical comedy was Queen, Frank Curzon produced a new piece at London's Wyndham's Theatre under the title The Girl Behind the Counter. It was praised as a model of its kind, ran from April to September, toured, was exported to America (where it was remade as a vehicle for Lew Fields) and so forth ...
Hayden Coffin as Charlie Chetwynd |
Adolphus Dudd (Mills) and his Susie (Blythe) at the costume ball |
Winnie Willoughby (Miss Jay) |
I had come for one set in particular. The designs for Edward Solomon's The Nautch Girl. I had to fight, but I got them. The complete Savoy Theatre set. For something more than a month's wages. I cared for them, used them in my books, and finally passed them on to a Savoy Theatre specialist via whom I know they will end up in a museum or library. Mission accomplished!
I watched Percy Anderson's designs for Merrie England go for 750L, the original Peter Pan sketches fetched 1200L, Oliver Messel's Helen! 520L. 40 Anderson designs for Covent Garden's flop Joan of Arc brought 420L, his The Emerald Isle 520L and his Chu Chin Chow 500L. David Drummond paid 700L for the 47 designs for Cavalcade... while 22 Mister Cinders sketches only fetched 300L. But with all these memorable goodies on sale, there were, naturally, some lots which didn't attract so much attention. And so, having heart-achedly watched wonderful historical stuff go out of the auction room, destined for the 'decorators' market, I finally cracked ...
Soubrette Susie (Blythe) |
Until now ....
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